Tuesday, July 19, 2011

Call for Papers: Session on Manuscripts at International Medieval Congress

Call for Papers: “Outside the Ruling: Signs of Use in Medieval Manuscripts”
International Medieval Congress, Leeds, 9-12 July 2012.

Organizers: Kathryn Rudy, University of St Andrews, and Kathryn Gerry, University of Kansas
Sponsor: St Andrews Institute of Mediaeval Studies

The careful planning and structuring of medieval books offer implied guidelines for how they should be used, but as is made clear by many of the manuscripts themselves, readers were free to follow or ignore such guidelines. This session will include papers on the physical manifestations of use in medieval manuscripts, with an emphasis on the ways medieval readers/viewers interacted with their books. Interaction could include touching, rubbing, kissing, or adding/removing materials from medieval manuscripts, at any stage in the course of their lives; evidence of such interaction might be manifest in the materials of a given manuscript (including leaves, bindings, pigments, inks, gold, etc), or might be reflected in a later copy, description or depiction. Papers might also explore ways in which producers of books (or portions of books) sought to direct, control, hinder, or otherwise mediate the responses of readers/viewers. We seek papers from researchers in art history, history, literature, codicology, conservation, history of religions, and other fields concerned with the history of the medieval book. It is our intention to publish a collection of essays on this subject, and papers accepted in this session will be considered for inclusion in this project.

Papers should be 20 minutes in length, to be delivered in English. Please send an abstract of not more than 250 words and a current CV to both of the organizers: Kathryn Gerry ( kbgerry@gmail.com) and Kathryn Rudy (kmr7@st-andrews.ac.uk); proposals must be received by Friday, 9 September, 2011.

The nineteenth International Medieval Congress will take place at Leeds, UK, 9-12 July, 2012; for more information on the IMC, please visit http://www.leeds.ac.uk/ims/imc/

Wednesday, July 6, 2011

New Curator at Bodleian and Yarnton Manor

Cesar Merchan Hamann will be the new curator of Hebraica and Judaica in Oxford libraries.

See http://www.thejc.com/news/uk-news/51220/curator-named-oxford-hebrew-centre for the announcement in the Jewish Chronicle.

Congratulations and best wishes to Piet van Boxel on his retirement.

Thursday, June 30, 2011

Doctoral and Post-Doctoral Positions in Germany for Work on the Masora

SFB 933

"Materiale Textkulturen. Materialität und Präsenz des Geschrieben in non-typographischen Gesellschaften" (http://www.materiale-textkulturen.de)


Project B4 (Jewish Studies)
Scholarly Knowledge, Drollery or Esotericism? The Hebrew Bible's Masora in its Various Material Properties

invites applications for two positions, one Post-Doc and One Doctoral stipend to begin Juli 1, 2011:

TVL E 13, 100% (Post-Doc)
und
TVL E 13, 65% (Dissertation Project)


This project deals with the Hebrew Bible's Masoretic Traditions as found in micrographic form in the Hebrew Bible codices from the High Middle Ages (masora figurata) as well as in non-figurative layouts in Hebrew Commentaries and Grammatical treatises.
It will concentrate on the area of text reception in its relationship to materiality and, thereby, focus on the question in which way handwritten artefacts effectively shape the meaning attributed to it through its material presence.

1. Post-Doc position (TVL E 13 100%):
The successful candidate will be working on the editing of the masora figurata in one Hebrew Biblical manuscript (digital edition of the text and its illustrations). In addition, the edition will be accompagnied by an indexing commentary and partial translation.

2. Doctoral stipend (TVL E 13 65%):
The successful candidate will be working on the masorah references found in Biblical commentaries and grammatical treatises as his PhD-project.

The integration of the project into the collaborative research center 933 and as well as into the research network of the Center for Jewish Studies demands regular attendance at Heidelberg. For further information, please contact:


Prof. Dr. phil. habil. Hanna Liss
Hochschule für Jüdische Studien, Landfriedstr. 12, 69117 Heidelberg
Tel: +49-6221-54-192-27 // Fax: +49-6221-54-192-09
email: hanna.liss@hfjs.eu

Applications should be sent only via email (PDF)

New book by Marc Epstein: The Medieval Haggadah

Received via e-mail:

In his new work, The Medieval Haggadah: Art, Narrative and Religious Imagination, (Yale University Press, 2011), Marc Michael Epstein (Professor of Religion at Vassar College) explores four enigmatic, quirky, and interesting illuminated haggadot including the earliest-known surviving illuminated haggadah, the Birds’ Head Haggadah, likely made in Mainz around 1300, in which many of the faces on the human figures depicted throughout the work are replaced with those of birds; the Golden Haggadah, possibly from Barcelona, circa 1320-30, the iconography of which seems so indisputably “formed in the image and likeness” of contemporary manuscripts made for Christians; and two Spanish “siblings,” the Rylands Haggadah and its so-called Brother, made between 1330 and 1340 also possibly in Barcelona, which have historically been paired because of the similarity of their iconography and style.
The Medieval Haggadah is itself a lavishly illustrated book that presents the complete sequence of illustrations in each of the manuscripts discussed in full size and full-color, along with corroborating examples, for a total of 151 full-color illustrations.
Rather than viewing the art in these books as merely illustrating the text or its commentaries, Epstein understands these manuscripts to be visual commentary in and of themselves. He argues that they not only contain "midrashic details," but evince a strong midrashic mindset.
Though the importance of these manuscripts is universally acknowledged, they contain a number of elements which have been little explored. For instance, the Golden Haggadah includes forty-six distinct depictions of women, whose presence has been glossed over as mere "narrative detail," and the faces in the Birds’ Head Haggadah turn out not to belong to birds, strictly speaking, at all, but to composite beings of deep significance in Jewish tradition.
Epstein proposes some startling new solutions to long-unresolved questions concerning the meaning of the art contained within them. But he also engages in analysis of this art as a springboard to addressing broader issues in the study of Jewish thought, visuality, and culture, both material and intellectual.
The Medieval Haggadah: Art, Narrative and Religious Imagination,
Yale University Press, May 09, 2011 344 p., 8 1/2 x 11
151 color illus. ISBN: 9780300156669 Cloth: $65.00



http://tinyurl.com/EpsteinMedHag

Thursday, June 23, 2011

Digitization and New Resources

The Bibliography of the Hebrew Book is now available on-line (free access) at the website of the National Library of Israel (formerly Jewish National and University Library). See here

Click here for a link to the digitized Hebrew manuscripts at the Goethe Universität in Frankfurt am Main.

Monday, June 20, 2011

Call for Papers: "From Text(s) to Book(s)"

via SHARP:

CALL FOR PAPERS

An international and SHARP-sponsored conference 'From Text(s) to Book(s)'
21-23 June 2012
Nancy-Université, France

Deadline for proposals: 15 December 2011

I.D.E.A. (‘Théories et pratiques de l’Interdisciplinarité Dans les Etudes Anglophones’ / Interdisciplinarity in English Studies), the research group of the Nancy-Université English Department, will be hosting an international and SHARP-sponsored conference on the subject ‘From Text(s) to Book(s)’. This conference will provide a forum to discuss the ways in which texts are materialised for consumption by the reading public, both historically and in the contemporary context. Papers that adopt a historical approach to this question might discuss book production practices at specific periods or their evolution over time. Papers with a contemporary focus might deal with cases where the materialisation of texts does not necessarily involve production in the codex form, or discuss the impact that technological developments, like advances in digital printing and the emergence of devices such as Amazon’s Kindle Reader or Apple’s iPad, have had on the passage from text to ‘book’. Case studies of individual works and reflections upon fundamental theoretical questions relating to the making and materialisation of texts are equally welcome.

The full call for papers can be found on the web site that has been put in place for the event: http://idea-udl.org/from-texts-to-books/


Confirmed keynote speakers for the conference are Espen Aarseth (Center for Computer Games Research, IT University of Copenhagen), Daniel Ferrer (CNRS, ITEM, France), David Finkelstein (Queen Margaret University, Edinburgh, UK) and Claire Parfait (Université Paris 13, France).


Proposals of no more than 300 words, for 25-minute presentations, should be sent to David Ten Eyck and Monica Latham (david.ten-eyck@univ-nancy2.fr, monica.latham@univ-nancy2.fr) before 15 December 2011. Articles based on conference papers will be considered for publication in the Book Practices & Textual Itineraries series published by the Presses Universitaires de Nancy: http://idea-udl.org/book-practices-and-textual-itineraries/


Conference organisers:

Nathalie Collé-Bak, Monica Latham & David Ten Eyck With the support of SHARP (the Society for the History of Authorship, Reading and Publishing)

------------------

Call for Papers for "The Future of Holocaust Testimonies"

via H-Judaic:

The Future of Holocaust Testimonies No. 2=20 An International Conference and Workshop
19-22 March 2012, Akko, Israel

Call for Papers=20

Statement of Purpose

The Holocaust Studies Program of Western Galilee College and the = USC Shoah Foundation Institute announce a second international = interdisciplinary conference and workshop on The Future of Holocaust = Testimonies to be held on 19-21 March 2012.

Rationale

Holocaust survivors and their testimonies have been, for many = years, key factors in Holocaust memorial culture. As survivors pass = away, critical focus will inevitably move to the legacy they leave =
behind: especially in the forms of written, audio and video testimonies. = Scholarly work on survivor testimony emerges from the full spectrum of = university disciplines including history, literary analysis, = linguistics, cultural criticism, psychology, neuroscience, sociology, = etc. The rich and varied and corpus of testimonies requires the = collaborative effort of researchers across disciplines to enable us to = hear the voices of survivors articulated through their testimonies.=20

The first Future of Holocaust Testimonies Conference was held on = January 2010. It brought together scholars from eight countries who = presented new approaches to studying and working with testimonies. The = upcoming Future of Holocaust testimonies no 2 conference will add = another layer to this endeavor.=20

The Conference

In order for the conference to make an impact on Holocaust research and = benefit the public discourse as well, one day will be open to the = public, while two days will be for researchers only.=20

The conference will be conducted in English. The open public day will be = conducted in English and Hebrew with simultaneous translation.
Speakers will be accorded full hospitality.=20

We welcome proposals for papers that address the conference theme, = including, but not limited to, the following topics:
=B7 Methodological issues
=B7 Oral testimonies, memoirs, life stories, diaries=20
=B7 Video testimonies
=B7 Early and late testimonies
=B7 Different approaches to testimony analysis
=B7 Place of testimonies in Holocaust research
=B7 Historical value of testimonies
=B7 Testimonies reflecting culture and identity issues
=B7 Age and gender issues
=B7 Authenticity, verification and false memories=20

Please send a one page proposal and a CV to: TestimonyConf@wgalil.ac.il =

(Doctoral candidates please add a letter of recommendation from your =
advisor)=20
Deadline: September 5 2011